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In playing with this more, I’ve discovered that slight asymmetry in the pitch shifting as well as the predelay times seems to be the key here. Also, widening the higher shifts out a bit more helps too. So now I’m running +9/-10 cents with 4 and 18 msec for the one Micropitch and +18/-20 with 10 and 25 msec for the other Micropitch. Much bigger sounding to the point of truly calling it “massive,” at least as far as I’m concerned.
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Whoa, Nick! Many thanks for the detailed info on the detuning. I appreciate sharing the “secret sauce” on this preset.
I tried those settings last night and, yes, it was right there from what I remember from the on-line Eclipse demo. I’m a bit surprised by the symmetry of the pitch shifts and that they’re actually narrower than what I was trying. Also, I had the wider shifts at the same level as the narrower ones so it’s good to know to back the formers off a bit. That said, I also really like my asymmetric setting too as it’s a bit more “organic” and “grainy” than the defaults. Conversely, the narrower shifts result in a “tighter” and more “focused” tone to my ear. (Gawd, I hate trying to describe audio qualities with esoteric adjectives!)
Thanks again for the awesome support!
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