The H90 doubled the algo capability of the H9. You’d think that the upgrade would make me less concerned with squeezing every last drop out of every preset. Unfortunately, it has not.
Here, I find that I wish I could squeeze more out of MicroPitch (which has both detune and dual delay). I find that detune is perfect with “mix” somewhere between 30 and 50. In my experience, delay times up to about 100 ms are also fine with the mix set this high. Factory preset Chorus Room is great example of the success of this design.
By contrast, with the dual delay set for time greater than about 200 ms, the mix often seems to be right somewhere between about 15 and 25. Set with the mix this low, however, detune sounds weak.
So, when longer delays levels are right, the detune is anemic. Also, when the detune level is right, longer delays are intrusive.
I note that, most of the H9 MicroPitch factory presets seems to use either detune or long delays, but not both.
So, I’d like to request that MicroPitch have an added “Detune Level” control. I believe that would be enough to independently control the delay and detune levels. As a result, this algo would be better capable of delivering detune at all delay times.
Incidentally, I believe Harmodulator could also be improved for the same reason in the same way.
Thanks for considering this and for making great products.
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