A/B Switch Box
Activations/Registration
DAW Applications
Direct Box
Yes, the MixingLink will turn your unbalanced signals (such as a guitar) into balanced. Due to the preamp, it is considered an active direct box. Having a balanced signal will allow for long cable runs without interference. This is always preferred, especially in a live setting.
General
Reverb Tails On vs Off is a matter of personal taste which may change depending on your application. Having the Tails switch in the On position will make reverb and delays decay more naturally. Other effects such as distortion may be preferred if they stop abruptly. There really are no rules other than to trust your ears. If you are using the MixingLink as a switching device (like one guitar with two amplifiers), make sure Reverb Tails is set to “off”.
The red PK LED lights a couple of dB before a soft saturation circuit turns on. If this (PK) LED comes on occasionally (and briefly during the loudest passages) it is at the optimal signal level. Just make sure it is not on all the time. Remember, the MixingLink is an analog piece of equipment. Occasional peaking in the analog world does not have the same destructive results as when dealing with digital audio.
This is done on purpose so that PHONES & AMP LEVEL can control a monitor on stage without affecting the signal sent to the mixing console/FOH (from the DI/LINE OUT).
The DRY signal is dependent on the INPUT GAIN knob setting.
DRY+FX is primarily for bass players or using a bass synth, etc. Typically when running bass through distortion and other types of pedals it can remove some low end going through the pedal. Having the DRY present keeps the original low end and then blends in the amount of desired FX.
Another use is to allow the DRY path signal to be at a constant level and then put a volume pedal in front of the FROM FX and use that to blend in the FX.
The MIX control should be used on any FX that don’t have their own MIX control so that you can blend wet vs dry for that effect.
FX ONLY is useful if your FX have their own mix built in (such as a TimeFactor) or if you want to use the FX return as a separate mixer input, this becomes the mix level for that signal.
When set to LATCH, the FX Loop status changes state upon pressing it and remains until you press it again. For example, if you are miking a saxophone and want an entire passage to go through a tremolo pedal, when you click the FX LOOP footswitch on (status LED above switch lights) you can concentrate on playing while your signal goes through the effect.
Conversely, when set to HOLD, it becomes a momentary switch, only activating the FX loop when pressed (and held down). This could be cool if you are a singer that wants the last word of each phrase to have delay. Right before you sing the word, hold down the pedal. Then release the pedal after saying the word and hear it repeat. In this instance, it might also sound good to have the TAILS set to on (the TAILS switch is found inside the unit when you remove the bottom cover).
I/O
The INST IN is unbalanced (2M ohm) and can accommodate most types of instruments including keyboards and Piezo pickups. Alternatively, you could also use the FROM FX input which accepts both Balanced and Unbalanced signals (500k Ohms).
Master Switch
- Connect an instrument to the INST IN.
- Connect the TO FX to your series of pedals (such as in a pedal board).
- Connect your last pedal in the chain to the FROM FX jack.
- The FX LOOP switch can now act to engage or bypass all pedals at once.
- Set the level with the INPUT GAIN knob.