I haven’t gone into your level of detail, but it is a great way to find those “happy accidents”. I can’t tell you how many times I set out to program an idea, and ended up in a completely different direction. Or 4 variations on the same theme. It’s a testament to the H90’s versatility (or a prime indicator of my drifting focus).
Yes, Swap A & B can be trivial, but consider the habits & “rules” we find ourselves following: Pitch detection always goes first, reverb is always last in the signal chain, etc. Swap A & B is an easy way to audition unusual possibilities. Then you can end up with out-of-the-box combinations, like WormHole into PolySynth:
https://patchstorage.com/arrival-of-the-heptapods/
Another tactic I’ve been obsessed with here lately is two similar Parallel effects, setting up the Mix parameters as a crossfader. That way, you can blend between the 2 FX, and virtually create a third one. I’ve nearly filled up an entire Preset List using that single concept, and I’m not close to running out of possibilities yet.
https://patchstorage.com/kustom-amp-effects-ccr/
