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Here's a good place to start, using two 'stock' algorithms from the H9 package. I described a "voice-switching" technique for the PitchFactor in this thread. That used an ADR III to split a mono signal to stereo with an autopanner. Here, the panning follows the stereo pitchshifting. Note that many stereo combinations can be summed to mono before and/or after the 'MetaEffect', and still retain the combined characteristics.
Pitchshifted trills alternate between channels at the set Speed. Changing the Shape parameter defines the transition smoothness from side to side. Complex patterns can be created with S-Mod and D-Mod. Pitch intervals can be delayed. Scale-constrained trills are possible by substituting a Diatonic or QuadraVox algo for the H910 H949.
Preset A
Preset B (in series)
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This combination adds regeneration to the QuadraVox algorithm. Preset A forms a picked arpeggio pattern in any key or scale. Preset B can be any delay algorithm. Here, the Tape Echo provides some feedback for the dotted 1/4 and 1/2 delay times. The added complexity overlaps the 'fingerpicked' pattern back onto itself.
Preset A
Preset B (in series)
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This combo is a bit more exotic. The Harmodulator envelope bends pitch down & up octaves over delayed time. The magnificent UltraTap algo adds a buildup of additional downstrokes that begin just after the bends. Varying your playing technique between legato, staccato, chords & single notes can lead to a variety of rhythmic effects.
Preset A
Preset B (in series)
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Slight variations on a single algorithm – then loaded into two devices – can extend the functionality of the algorithm. With an octave down & a fourth below in one instance, and a fifth & an octave above in the next, four voices with different delay times can be spread out in a sequence. It's another take on the pseudo-picking theme using dual H910 H949 algorithms. Added feedback regenerates the 5ths & octaves upwards and downwards.
Preset A
Preset B (in series)
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Think TremoloVerb here, with some twists. The Crystals shimmer-like effect is slightly detuned, with some added reverb. The reverse delays are spread out in time, and fed back to an extent. The UltraTap chopper slices up both the dry signal and the trailing 2-octave up atmosphere from the Crystals preset.
Preset A
Preset B (in series)
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I knew that I missed at least one TGP resource: Eventide H9 (SPACE, PitchFactor, TimeFactor, ModFactor) Settings Thread. Lots of useful, single presets to be found there. What I hadn't realized is that I never finished posting the MetaEffects pairs that I had uploaded much earlier. More to come …
Preset A
Preset B (in series)
Envelope control over the pitch glides to unison (from up & down one octave). Simultaneous envelope control over the tremolo chop rate. The combined effect will be diluted if it's placed post-compressor.
The HarModulator provides a pitch – attack transient, while the TremoloPan slows down on string decay. Leslie-like rate slicing follows the initial pitch sweeps. It's also possible to "catch" the glides part way with sharp, staccato input.
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This is one of my favorite "identical preset" pairs to load into 2 Stompboxes. The first Crystals instance reverses the input; the second reverses its input once more. It's a wonderful mix of dry, reversed, and flipped-forward-again delays that are slightly detuned. Subtle at 25% Mix; increase to 50% for a stronger effect. Unique, almost "random" delays, courtesy of the Crystals delay buffer configuration.
Preset A
Preset B (identical preset in series)
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KCStratman:
Nice work Brock, some very cool combinations. I especially like the crystalchopper and doublereversecrystal. Very interesting sonic textures, thanks for sharing!
Well, I just had a short novel written in response, but I lost all of that to the Ozone. I'll just post the Short Phrase Looping Technique variations that I derived from the "doublereversecrystal" presets above.
Preset A
Preset B (in series)
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