Presets
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Modeled after a reverb setting from the Boss RV-2.
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Derya Nagle preset.
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This preset makes every note on the guitar sound like the “same tone.” The guitar signal is completely obscured by the ring modulator so regardless of what is played, or where it is played on the fretboard, the result is always the “same tone.” While I achieved the sound I wanted, I have no recollection of how I actually made it and it is not clear why the preset works the way it does. It sounds refreshingly unusual. Enjoy!
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Zack at Zvex deserves a lot of credit for developing original effects in a very crowded field. One example is his excellent Seek Wah. This H9 preset is reminiscent of the Seek Wah's seemingly random autowah sound. It works best with my treble pickup. 9/8/2022
Description
Here is my version of the Boss SG1 Slow Gear pedal. Like the original, it is limited/touchy. You have to learn to play the effect for it to work correctly. That means you pick harder or softer to find the dynamics sweet spot. Also, play some note of various speeds to find the speed sweet spot. With the exp pedal at heel, the sweet spot will be faster. With the exp pedal at toe, the sweet spot will be slower. I put a completely different Swell sound in the hotswitch just 'cause I could.
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Created on Space with Blackhole algorithm.
Hotswitch toggles between Inverse gravity 0 (green) and Inverse gravity 74 (orange)
Volume swell in a drone string and then pick strings heavily for a metallic sitar in space
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Attempt to get the overdrive and trem sound that defined some of the best of the Spacemen 3's sound. Essentially the stripped back Vox/Jen V809 repeat percussion (a brutally simple sawtooth effect) with a treble boost/overdrive behind it. A good example is the youtube video below. To get the sound myself, I wobbled a half-cocked Sonuus Wahoo on a resonant wah setting (basically F06) in front of the H9 to get the hollowed out phasing treble. Back in the day would have been a crybaby into a cheap fuzz into a V809 (or more likely the Vox Starstreamer's onboard effects. May need to play with some other algorithms to see if can get closer to the . Or possibly need another H9 to combine...
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IIRC, the H9 only has spillover delay in one of the three bypass modes. If you are not using that mode, you can still get quasi-bypass trails with the PitchFuzz and UltraTap algorithms. I have posted one "SPILLOVER" preset for each of these. PitchFuzz allows you to set a range of delay amount so I've set that range to apply a small amount of delay at all times and then (using an expression pedal) apply much longer trails for effect/emphasis. UltraTap also uses an expression pedal for this but you can' really set a minimum delay level. As a practical matter, it is more like none or all. They may have other uses but I use them to smear a note or a phrase with a ton of delay here and there. Try the hotswitch too. 9/7/2022
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Sound alike patch for the H9 Sculpt Algorithm.
Les Paul Bridge > H9 > Hall Verb > Fender Bassman w/ Reverb the first 1/2, dry the second half. Adjust the sag and tone to your guitar's to get the correct amount of bite/sputter. It's close enough and cheaper than slashing the speakers on your amp and cranking it up to 10 :)
Description
I have uploaded BLACKFACE EQ a typical mid-scooped tonestack setting for a BF Fender amp. I'm using that in one H9 and this spring reverb preset (SPRING HSTREM) in another H9 as a silent practice rig. I plug a pair of headphones into the right and left outs of the second H9 and boost the output level in SPRING HSTREM to about 12 to 17dB (to taste). Light a cigar. Pour some scotch. And play into the wee smalls of the morning. 9/7/2022
